Saturday, November 27, 2010
The Hunger Games
The Green Mile by Stephen King
or rather
Tiny Little Annoyances
...interesting.
And don't get me wrong, I do find it interesting. In some places, it's interesting in ways that it shouldn't be. Within five pages of chapter two, the narrator has mentioned his urinary infection three times. At the same time, he is remembering when John Coffey, who can be assumed to be the main character, first enters the state penitentiary. Each time he says something about his urinary infection, it's always equal to him saying something like, "My urinary infection was aggravating". It doesn't appear to serve a purpose, and reminds me of the book How Not to Write a Novel by Howard Mittelmarx and Sandra Newman; The authors use an example that they title "The Gum on the Mantelpiece", in which they mislead the reader into thinking that a piece of already chewed gum will serve some purpose in the story, only to have all the characters leave the room and have one character simply clean the gum off the mantelpiece later. It completely distracts the reader from the storyline. Quite simply, the urinary tract infection and piece of gum don't need to be involved in the story, and pull away from it. People want to hear about urinary tract infections and insignificant pieces of gum as much as they want to hear a full plot summary of some TV show they don't plan on watching from the show's biggest, most obsessive fan, or most resentful, cocky critic.
King's redundancy in The Green Mile also appears when he is describing John Coffey's size. While it is important to know how large a character is, it makes one weary when they are told the exact size,"six feet, eight inches" (King 10, 13), of John Coffey twice within four pages. In between, King uses words such as "huge" (King 11), and "big" (King 12). Yes, the reader is aware that someone who is six feet and eight inches tall is pretty big and huge. Using one paragraph, or even one sentence to express his size would suffice for at least one chapter. In regards to description, so far the book has been only that. Granted, it is important to know the setting of the story. But King's use of setting drags it's feet along for an entire chapter, especially since his first couple sentences, "This happened in 1932, when the state penitentiary was still at Cold Mountain. And the electric chair was there, too, of course" (King 3), doesn't bring the reader to want to find out much, other than to find out what "this" is. At the end of the chapter, the only thing really pulled out from it is that sometimes murderers die at Cold Mountain by electric chair. It appears that the barely introduced conflict has disappeared in the fog of the setting and won't be back for a long time.
Frankly, a last annoyance from the story is that so far, the reader has not been told the narrators name. While King takes the time to introduce minor characters who are unlikely to resurface and quickly force five new major characters on the reader, four of them all within one sentence, he neglects to tell the reader the narrators name. It would have been easy to let one of the characters address the narrator by his name in dialogue, after all, it happens often in real life. But no, Stephen King won't let the reader know his name. He even takes one of the characters, Harry Terwilliger, and has him address the narrator as "boss"(King 12), where it would be the perfect opportunity to tell the reader just who, exactly, is speaking.
Despite all these little things that buzz around my face, I can swat them away because even though The Green Mile has it's flaws, King has given the narrator a riveting way of telling us what is going on and what has happened in the past at Cold Mountain. And I'd like to read what else he has to say. Even if I know too much about his urine, but not one of the simplest things about him, his name.
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12/24/2010
I guess this is sort of like a backup blog post; I’ve just had this thought in the back of my mind for a while (By the way, I’m still on the same page as before).
Every single time Stephen King describes the state penitentiary in The Green Mile, I never get anything out of it. I’m sure he has some image in his head like this:
I tried to make it accurate, but I couldn’t figure out how it looked even after reading it three times. Maybe I’m just a little dense. What I see when I read his description is this:
…What I’m trying to say is that if you’re reading this book for leisure, you may get a bit frustrated at Mr. King.
Friday, November 26, 2010
"A Time to Kill", by John Grisham
The first thing I hope you noticed about my post is the title of the book, “A Time to Kill”, by John Grisham. If you didn’t, I would hope it’s because you were too busy being amazed that I managed to blog my post (or is it post my blog?) a whole three days before the due date (for those of you who didn’t know that the due date is in three days, now is an appropriate time to be hysterical).
About the title: notice any similarities to any other books we’ve read this year? I thought it was suspiciously similar to “To Kill a Mockingbird”, by Harper Lee. I haven’t finished the book, so I cannot state what the symbolic meaning of my book is, but there are, actually, quite a few similarities between this book and Harper Lee’s masterpiece. To begin with, a defining element of the plot in “A Time to Kill” is the rape of a ten-year-old African American girl by two white men. In Lee’s book, it is the rape of a white woman by an African American man. Also, the setting in both books is a prejudiced southern town. The reason is, of course, to add emphasis to the rape crime.
However, there is no ‘hero’ character in “A Time to Kill”. Rather, the ‘Atticus’ part is played by criminal attorney Jake Brigance. He is not nearly as righteous as Atticus, and his reason for taking the case is for the publicity, not because he feels he must to have a clear conscience (the court case in the Grisham book is between the father of the rape victim and the state; the father murdered both rapists). Because of this, though, the character is easier to connect to. It is less difficult for me to relate to a less-perfect, more realistic character than the ideal, perfectly righteous Atticus. Simply put, the lawyer in “A Time to Kill”, while not in any way an antagonist, is much more like you’d imagine a lawyer to be.
“A Time to Kill” is told in third person (limited), so, even though Brigance is the main character, he is not always present during major events. This further helps the story develop, because, with the intricate, interwoven plots (activist groups for or against the defendant of the murder trial) the reader would not be able to follow the plot fully by only following Brigance. Interest is also added to the plot this way, because the reader knows about upcoming events before Brigance, allowing the reader to be nervously awaiting the occurrence of such events. These factors have led to my having to force myself to only read enough for one blog post at a time. So far, the plot is extremely believable and exciting.
Overall, through the first hundred and thirty-seven pages of “A Time to Kill”, by John Grisham, the book is shaping up to be an enjoyable pleasure read.
Tuesday, November 23, 2010
Thirteen Reasons Why
Wednesday, November 17, 2010
Brave New World
Monday, November 1, 2010
"The Chamber" by Johnny Grisham
One page isn't very much, but this book gets right to it. Already, John Grisham has thrown in some racial prejudice as he talks about the Civil Rights Movement in Mississippi, yet in the page, the bulk of the prejudice isn't against African-Americans. Instead, I find it very interesting how the first character is Jewish lawyer, and this Jewish lawyer is in some major trouble. Specifically, Grisham is writing about a bomb plot and the three men involved in the bombing.
So, the first page is pretty abrupt; there is a lawyer, some violence, and already the slightest bit of suspense - just what I expected out of Grisham. While I wasn't surprised by his style of writing, I believe it is very good after one page and I look forward to the other 675 pages. On the topic of 675 pages, I believe an exciting, suspenseful style of writing is necessary when it comes to a book this long. If Grisham can take law, which is a potentially interesting topic, and make it an action packed and dramatic story, then I will be on the edge of my seat and each page will only get better and better. If not, then the excessive amount of paper will come in handy for a fire during this upcoming winter.
May this book be awesome even after the first page, and may Jewish lawyers have some peace.
Chris Beltrone (C-Bizzle)
How to Post Your Entries
Remember, when the first person is ready to post about a chosen book, click on NEW POST. Title the post with the title of your book. Write the first blog entry. That will be what everyone sees. After that first entry, every other entry about the same book will be posted under COMMENTS. In order to add a comment, whoever is posting must click on the actual post that is already there.
It is pretty easy folks. I look forward to reading your many insights.